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Why Vinyl Sounds Better Than CD, Or Not, A Topic on NPR Science Friday Feb 10 2012, 2-4 PM EST
solive
post Feb 9 2012, 21:57
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This will be a topic on NPR Science Friday tomorrow at 12:30 PST. I will be one of two guests talking about this and other audio topics related to perception and measurement of sound quality. Should be fun!

This post has been edited by solive: Feb 9 2012, 21:58


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Sean Olive
[url="http://seanolive.com"]Audio Musings[/url]
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Northpack
post Feb 12 2012, 00:01
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The part about the media and listeners bias was really spot on!

Sadly, the standard dropped rapidly when it got to lossy compression - a lot of subjective and undifferentiated claims (not by Sean Olive though).

A real letdown was the kind of attention Mr. Metcalfe gave to the difference signal - does he know anything at all about psychoacoustics!?

This post has been edited by Northpack: Feb 12 2012, 00:12
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FreaqyFrequency
post Feb 12 2012, 00:40
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QUOTE (Northpack @ Feb 11 2012, 18:01) *
A real letdown was the kind of attention Mr. Metcalfe gave to the difference signal - does he know anything at all about psychoacoustics!?


I've seen the phase reversal trick used on a few occasions now to show "how much is missing with mp3". What's interesting is that, especially when presented with higher bitrates, they can't actually make the case that people can hear the difference when you play them side by side, so instead they have to present you with "the differences" so that you'll understand how truly horrid mp3 encoding is.


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Kohlrabi
post Feb 12 2012, 12:05
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QUOTE (FreaqyFrequency @ Feb 12 2012, 00:40) *
I've seen the phase reversal trick used on a few occasions now to show "how much is missing with mp3". What's interesting is that, especially when presented with higher bitrates, they can't actually make the case that people can hear the difference when you play them side by side, so instead they have to present you with "the differences" so that you'll understand how truly horrid mp3 encoding is.

The difference signal has no meaning at all regarding lossy encoding. How is MP3 "horrid" if it cannot be ABXed/differentiated with certainty? If a lossy codec is transparent to most listeners it achieved its purpose. In my opinion MP3 is horrid because of the ID3 tagging disaster and non-gapless design, the audio quality is certainly not a major issue, as has been shown in community listening tests. I, myself, have a very hard time ABXing LAME -V4.



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FreaqyFrequency
post Feb 12 2012, 21:06
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QUOTE (Kohlrabi @ Feb 12 2012, 06:05) *
The difference signal has no meaning at all regarding lossy encoding. How is MP3 "horrid" if it cannot be ABXed/differentiated with certainty? If a lossy codec is transparent to most listeners it achieved its purpose.


I should've been more clear - I also would've put quotes around "horrid" in my original post.

QUOTE (Kohlrabi @ Feb 12 2012, 06:05) *
In my opinion MP3 is horrid because of the ID3 tagging disaster and non-gapless design, the audio quality is certainly not a major issue, as has been shown in community listening tests. I, myself, have a very hard time ABXing LAME -V4.


Agreed. It is for this reason that I still use Vorbis exclusively in the lossy domain for my own encodings.
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