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Great ADC for Vinyl record listening/recording
wgh52
post May 2 2010, 11:18
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Folks,

I'm not sure this is the right forum to ask, so if this fits better somewhere else, please moderator > shift to the right place.

The Situation:
Owning a few hundred vinyl records, I really enjoy playing those on my SL-1000 II
My Audio Listening line has become mostly digital due to the use of a DEQX digital Preamp/X-Over for my active speakers.
I'm swithching digital sources (CD, Minidisk, Satellite Radio, PC, ...) with an electronic SPDIF switch feeding the DEQX digital input
I'm not using an analog preamp anymore, besides the Phono pre.

My Desire:
For ease of use (only switching sources at the SPDIF swith) and quality purposes (need 24 bit / 96 ks/s!), I'm looking to connect the Phono/RIAA Preamp to a well working, stand alone AD-converter.

The ADC shall have:
Separate (R/L) input level adjustment (to compensate cartridge chanle differences)
Capability for 24 bit / 96 ks/s and 24 bit/192 ks/s through AES/EBU and SPDIF Coax outputs
Normal HiFi line level input sensitivity
A bearable price well under 1000 Euros

I have found very few alternatives so far, so as this forum seems very analog AND digital "competent", I though I'd join and ask you folks for help and recommendations.

Thanks in adance!
Winfried
from Germany

This post has been edited by wgh52: May 2 2010, 11:20
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2Bdecided
post May 5 2010, 09:54
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ReplayGain developer


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IME, for most pop music, decent vinyl is often transparent, or at least more-than-good-enough. I guess it depends what era you're listening too, and where you live. Most 1960s UK pressings are really good, even of pop music. Things were going downhill by the 1980s.

The challenge for older music is finding decent vinyl.

But usually, if the CD is lousy, you won't have to find decent vinyl - someone else will already have done so and made a nice needledrop.

I'm not condoning piracy, but if you've already paid for the LP or CD, then you've already paid for the music, whatever route you use to listen to it at its best.

A bigger challenge is when you know there's been a decent CD re-issue somewhere (e.g. you've heard it on the radio, or it's on Spotify etc but the cover doesn't match the issue the audio came from), but all the CD versions you can find for sale turn out to be far lower quality. If it's just EQ (or lack of it), you can fix it yourself - but if it's excessive DRC, or third generation tapes used when the masters still exist, then you have to track down the decent copy.

(Me? Obsessive? wink.gif If I like the music, I like to find the version that sounds the best. Sometimes it's quite interesting hearing all the different ways one track has been presented over the decades - sometimes it's like a mini history of recording)

Cheers,
David.
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analog scott
post May 6 2010, 11:57
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QUOTE (2Bdecided @ May 5 2010, 09:54) *
IME, for most pop music, decent vinyl is often transparent, or at least more-than-good-enough. I guess it depends what era you're listening too, and where you live. Most 1960s UK pressings are really good, even of pop music. Things were going downhill by the 1980s.

The challenge for older music is finding decent vinyl.

But usually, if the CD is lousy, you won't have to find decent vinyl - someone else will already have done so and made a nice needledrop.

I'm not condoning piracy, but if you've already paid for the LP or CD, then you've already paid for the music, whatever route you use to listen to it at its best.

A bigger challenge is when you know there's been a decent CD re-issue somewhere (e.g. you've heard it on the radio, or it's on Spotify etc but the cover doesn't match the issue the audio came from), but all the CD versions you can find for sale turn out to be far lower quality. If it's just EQ (or lack of it), you can fix it yourself - but if it's excessive DRC, or third generation tapes used when the masters still exist, then you have to track down the decent copy.

(Me? Obsessive? wink.gif If I like the music, I like to find the version that sounds the best. Sometimes it's quite interesting hearing all the different ways one track has been presented over the decades - sometimes it's like a mini history of recording)

Cheers,
David.


Obsessive? Not at all. Audiophilia is about the persuit of better sound. It is only sensible to seek the best sounding versions of the titles you like. You are right about how interesting the history behind the many variations of any given title can be.
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