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MPC vs VORBIS vs MP3 vs AAC at 180 kbps, 2nd checkup with classical music
guruboolez
post Aug 21 2005, 19:33
Post #1





Group: Members (Donating)
Posts: 3474
Joined: 7-November 01
From: Strasbourg (France)
Member No.: 420



Preliminary notes


Last summer I performed a blind listening comparison between three different audio formats, all set for ~175 kbps encodings. The purpose of the test was to investigate about encoding quality with classical music (and only classical) and to see which format would be the most efficient (i.e. the closest to transparency at lowest bitrate possible) for this kind of music. As jumping-off place for bitrate I took MPC –standard preset which was indisputably recognized as the best encoding solution outputing at 175...190 kbps on average. And indeed, the test ended on musepack superiority. MPC was even superior to Vorbis and MP3 at presets presenting higher bitrate (~195 kbps for LAME, ~185 for Vorbis against ~175 for musepack). Consequently, MPC encodings appeared to sound better and to be smaller at the same time. Amazed by the existent gap between all contenders I conclude my specific test with these words: “I didn’t think that MPC –standard was so in advance”.

My vacation are now quite over. I performed during my free time a big checkup of lossy quality at 80 kbps and 96 kbps (this one has to be translated in english dry.gif ), and it’s too late now to complete the 128 kbps I planned to do in the same silly conditions (150+35 tested samples). But I used my small remaining time to do again the listening test at 175 kbps I did last year, with the same 18 samples and the same hardware.



Why doing again the same test?


As a result of constant evolution of most audio encoders I consider my previous results as really outdated. I recall that Vorbis encodings were done with MEGAMIX I (hybrid encoder melting aoTuV beta 2, Garf Tuned 2 and Quantum Knot tunings). This encoder didn't subsist for a long time... and doesn’t exist anymore; it was replaced by MEGAMIX II, then official 1.1 with Impulse Trigger Profile + Impulse Noisetune switches, which was finally followed by aoTuV beta 3 and beta 4. The same goes for LAME: 3.97 alpha 3 was tested, and during this time LAME developers have submitted eight new versions of this alpha and a few other ones (lame_may, lame_june...)! MPC has also changed: from 1.14 beta to 1.15 alpha which is now considered as safe to use.
As a consequence of this evolution, problems audible last years (kind of ringing for LAME, or noise and coarseness for Vorbis) may be corrected or at least be lowered. The first purpose of my test is therefore to check the outcomes of recent tunings done for high bitrate settings.

There’s also a second point which stimulated me to do again the test and this point is called AAC. I haven’t tested AAC last year for technical and moral reasons. Technically, iTunes encoder couldn’t be set to ~175 kbps; Apple's AAC encoder wasn't also gapless and is for my purpose unsuitable for my conception of artefact-free encodings. I also felt as dishonest the inclusion of Nero AAC: it had recognized issues with classical first and a new encoder supposed to solve these problems was announced as imminent. Some readers suggest me to include faac as competitor, but I felt as unfair to test an encoder which was probably not the state of the art of AAC format and to compare it to the most advanced implementation of other formats (MEGAMIX and LAME 3.97).
I never regret my choice. But this absence of AAC frustrated my curiosity for a long time, because I had strictly no idea about comparative performance of this format with other contenders. That’s why I decided to absolutely include AAC this time. WMAPro will also be tested this time if possible.

The purpose of my test is therefore to obtain a fresh photography of the current performance of all modern lossy formats with classical music using the most advanced implementations for each of them.


I. Choosing the encoders


My purpose being to test most advanced encoders the choice of format hasn't to be controversial for most of them:

MP3: LAME 3.97 alpha 11. Release date: July 2005. Note: --vbr-new encoding mode.
MPC: mppenc 1.15v. Release date: march 2005.
Vorbis: aoTuV beta 4. Release date: June 2005, updated in July 2005 (merged with SVN 1.1.1).
WMAPro: no choice here: it's 9.1 or nothing. Release date: during 2004.

Choosing the good AAC encoder is much harder:
Apple AAC: There's still no VBR mode with iTunes. Consequently it's currently impossible to use Apple's AAC encoder unless other contenders will output an average bitrate close to either 160 kbps or 192 kbps. It's unlikely...
Nero Digital AAC: the most advanced VBR AAC encoder and therefore better placed to represent the AAC format. Big problem: should I use the 'high' and defaulted encoder or rather the 'fast' one which is really better at lower bitrate with classical music? The first one is still recommended by all Nero's developers and it's a valid reason to choose it instead of something they don't consider as stable enough (Garf, JohnV and Ivan Dimokovic). But the situation has maybe changed since their recommendation; I wouldn't also discard too quickly the possibility of using an encoder working better for the difficulties proper to the musical genre I'll test. The debate could be endless if a trivial but objective argument hadn't close the debate: the average bitrate of VBR mode of both encoders (see below).
faac AAC: testing faac might also be interesting. And even for fun, it would give me the possibility to oppose four different open-source implementations of four different formats smile.gif But such friendly comparison has a price: increasing the onerousness of the test which is anything but easy at this bitrate...


II. Targeting a bitrate


The purpose of my test is not to see what encoders could do with xxx kbps for each sample; I don't plan to force each encoding reaching a precise bitrate. My purpose is to stay close to the real usage of a vast majority of listeners (if not all...): using for every encoding one fixed setting which should statistically corresponds on average to the desired bitrate. That's why it's really fundamental to precisely know the average bitrate corresponding to a defined preset. And there's only one way to get it: encoding several tracks or albums.
Last year, I used as reference ~20 classical (+3 non-classical) albums. This year, I decided to be more methodical. I’m now using 150 different tracks (I mean full tracks) coming from 150 different CD in order to increase the variety of encoded tracks. It’s important to note that I didn’t choose randomly those tracks. I meticulously worked to get a representative microcosm of my full classical library, balanced between different grand ensemble (vocal, orchestral, chamber, soloist recording). This collection is nothing more than the 150 full tracks from which I’ve extracted 150 short samples in order to build a “catalogue raisonné” of musical situations occurring with classical music (see this test).

I genuinely expect from this methodically constructed library to be a highly representative panel of my classical collection. My assumption could be verified by checking the average bitrate of the entire collection encoded with WavPack -fx5 (all my >1000 CD digital library is encoded with this preset): 642 kbps for the selection of 150 tracks against 635 kbps for a complete set of more than 15000 tracks. The deviation is inferior to 1%! blink.gif Statistics are really magical.


III. Observing bitrates


I started with MPC which must give the reference bitrate. All other competitors have to be set in order to get a similar value.


MPC: --quality 5 corresponds precisely to 184,54 kbps. This is higher from what I expected first (~175 kbps). The 150 reference tracks are maybe not as representative as supposed. I also tried 1.14 (used last year) with the same preset and --xlevel: 176,28 kbps, much closer to the native average bitrate of --standard profile and reassuring me about the representativity of my collection of tracks. The bitrate has therefore inflated by 4.7% from 1.14 to 1.15v with classical.
=> I'll therefore try to get from all other encoders a setting which outputs to 184,5 kbps ±2% (180,5...188,1 kbps).

MP3: I first tried -V2 --vbr-new, which corresponds to the former --preset fast standard. Average bitrate is 181,79 kbps. Now, this value is lower from what I estimated last year (and that's why I tested -V3 in addition to -V2)... Indeed, 3.97alpha3 -V2 would output to 192,99 kbps. Nice gain (-5.80%). Obviously LAME developpers also worked on efficiency. Gain is great enough that LAME --preset standard could now be fairly compared to MPC --standard. But I recall another time that it only applies for classical (I suppose that bitrate is higher with other musical suffering from sb21 issue).

Vorbis: aoTuV beta 4 -q6,00 leads to 181,48 kbps. This is lower than what I expected, and it's also lower than MPC --standard bitrate. I get 186,99 kbps for the old MEGAMIX I. Bitrate has therefore be lowered with latest aoTuV.
-q6,00 could therefore be directly compared to MPC --standard and LAME --preset fast standard (for classical music).

WMAPro: VBR75 leads to 150,24 kbps. The next available preset is VBR90 and it leads to 203,96 kbps. Both are very far for the range I fixed and consequently WMAPro can't compete in this test.

Nero Digital AAC: Like LAME and WMAPro Nero Digital doesn't offer any precise VBR scale but seven presets. -internet leads to ~142 kbps for both 'high' and 'fast' encoders. -streaming high corresponds to 176,14 kbps and -streaming fast to 193,33 kbps. Consequently none of them is inside the fixed range; the closest one is -streaming high and is therefore the less unacceptable solution (I recall that the 'high' encoder is still the recommended one).

faac AAC: this is the only encoder able to fit into the fixed bitrate range (thanks to the precise VBR scale alla vorbis & mpc). AAC faac –q 175 leads to 180,92 kbps. This –q setting won’t probably correspond to 180 kbps with other musical genre and that’s the occasion to recall another time that the whole test is specific to classical music and nothing else.


Recapitulative table

CODE
         bitrate_2004   bitrate_2005     evolution in kbps   ...in %

MPC          176,28         184,54            +8,26 kbps      +4,69 %
MP3          192,99         181,79           -11,20 kbps      -5,80 %  
Vorbis       186,99         181,48            -5,51 kbps      -2,95 %
AAC faac   not tested       180,92              --              --
AAC Nero   not tested       176,14              --              --


=> faac, LAME, aoTuV are very close each others (difference is inferior to 0,9 kbps!). MPC presents a higher bitrate (+3 kbps) and Nero Digital a lower one (-5 kbps). The gap between the extreme is worrying: approximately 5% corresponding to 8 kbps. That's not a huge difference but these eight missing kbps may lead to a significant difference in quality. I could discard Nero Digital for this test but I would consider this choice as a mistake. For my own curiosity I'm also very impatient to see how would perform an advanced implementation of AAC in comparison to other formats, even if bitrate are not fully comparable.

=> As a consequence I decided to test both Nero Digital AAC and faac AAC, and I will consider Nero Digital presence as a "bonus" interesting to watch rather than an entire competitor. That's why my final diagramme (plots) will graphically separate Nero AAC results from other contenders. I hope this will avoid unecessary debate about any kind of unfairness based on bitrate disparity.



SUMMARY

Are going to be test:

AAC: faac 1.24.1. Release date: end 2004 (?). Setting: -q175
AAC: Nero Digital aacenc32 v.3.2.0.15. Release date: June 2005. Setting: -streaming (high/default encoder).
MP3: LAME 3.97 alpha 11. Release date: July 2005. Setting: -V2 --vbr-new
MPC: mppenc 1.15v. Release date: march 2005. Setting: --quality 5
Vorbis: aoTuV beta 4 based on 1.1.1. Release date: July 2005. Setting: -q6,00



IV. Additional information


I performed all my last listening tests on a Creative Audigy 2 soundcard, which resamples everything to 48000 KHz. Some people consider that internal resampling (transparent in my opinion) is treating unfairly musepack and would biased any listening test. To cut the controversial short, I installed my (better) Terratec DMX6Fire 24/96 which doesn't resample 44100 KHz files (I'm not using it anymore for daily listening because of interference with my VIA chipset).

HARDWARE & SOFTWARE SETTINGS:

soundcard: Terratec DMX6Fire 24/96
headphone: BeyerDynamic DT-531
amp: Onkyo MT-5
software player: Java ABC/HR 0.5 beta 5.
software decoder: foobar2000 0.83 (in order to automatically get files free of offset and to solve my incompatibility issues occuring with Vorbis).

TESTING PRINCIPLES:

ABX phase : To limit the listening fatigue and to end the test before I left my appartment, I restricted the ABX tests to the most transparent encodings (note > 4.00).
Number of trials : eight trials as a minimum. I recall that schnofler's ABC/HR software doesn't reveal to score until the test is closed by the user (and it also can't be resume). Therefore the number of trails hasn't to be fixed: as long as score is hidden the pval isn't ruined. That's why I add more trials when I suspect bad results. I never exceed 16 trials: if something is really transparent I didn't persecute the encoding smile.gif
Notation : My notation was very severe last year, with a full dynamic range of notation (a lot of notes were inferior to 2.0). That's why I decided to add 10 points to each score (in order to disconnect the notation from the usual corresponding scale). This year, I tried to respect the ITU scale. When a difference is audible but not really annoying, the notation is at least equal to 4.0 and my hairs must stand on end to allow a notation inferior to 2.0 (from "annoying" to "very annoying"). Notation is still severe (I keep in mind that all encodings were set at 180 kbps) and that's why results I get here can't absolutely not be compared to other listening tests I done, especially those performed for low bitrate settings. By the way, there are no anchors in this test (high anchor is of course unecessary here).
Samples: Same as last year. See this thread.
Gain: I hadn't modify the gain of any file. All were played at their original volume.

This post has been edited by guruboolez: Aug 31 2005, 11:00
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guruboolez
post Aug 31 2005, 11:19
Post #2





Group: Members (Donating)
Posts: 3474
Joined: 7-November 01
From: Strasbourg (France)
Member No.: 420



Here is the bitrate table (based on 150 full tracks):


CODE

FILE faac Nero LAME MPC Vorbis

A01 175,0 199,2 194,7 164,1 201,7
A02 241,6 156,8 210,8 192,2 206,2
A03 230,6 165,7 230,3 205,1 293,1
A04 203,5 176,1 217,8 188,2 207,3
A05 183,3 161,9 175,8 177,9 182,6
E01 151,3 183,6 135,2 121,8 154,7
E02 179,1 185,6 182,0 186,7 178,8
E03 190,9 179,4 187,0 188,8 184,3
E04 172,9 179,8 178,0 167,6 174,8
E05 215,8 159,5 188,6 167,2 194,4
E06 173,6 186,9 188,9 187,2 179,0
E07 163,6 189,9 180,8 178,2 168,7
E08 182,4 147,8 191,5 168,0 199,4
E09 176,3 187,2 181,4 188,3 178,0
E10 176,4 170,1 167,9 173,3 166,7
E11 211,3 175,8 201,6 188,3 188,3
E12 163,4 184,1 169,5 157,9 167,3
E13 169,6 176,8 172,6 193,3 184,5
E14 163,6 190,7 184,9 185,2 176,5
E15 159,9 198,5 180,5 190,8 176,5
E16 188,0 181,6 194,0 199,7 202,3
E17 188,2 180,7 196,2 178,2 185,7
E18 169,5 197,0 174,3 157,4 177,6
E19 167,9 180,4 167,0 155,2 168,3
E20 166,0 180,2 179,4 157,3 161,8
E21 166,8 185,7 181,3 162,6 170,4
E22 176,5 182,8 187,9 187,6 177,1
E23 158,5 181,8 182,4 172,8 163,0
E24 161,9 189,5 175,9 169,1 163,3
E25 191,3 178,6 194,4 188,6 182,6
E26 176,3 178,0 184,5 174,6 171,3
E27 178,8 175,5 184,9 180,8 168,4
E28 178,8 183,0 191,4 159,6 183,8
E29 189,4 166,1 177,0 166,9 170,9
E30 183,7 184,2 196,9 175,9 174,9
E31 222,0 154,1 192,0 201,4 199,6
E32 190,2 180,9 186,9 204,7 196,8
E33 187,2 162,5 177,1 185,7 183,2
E34 160,6 181,1 174,6 168,8 167,5
E35 186,6 169,0 181,3 220,9 206,2
E36 208,6 173,5 187,3 216,3 216,5
E37 172,0 183,7 175,6 193,7 180,3
E38 174,3 183,6 182,5 187,1 177,2
E39 174,3 184,2 184,0 186,3 188,3
E40 163,7 181,9 170,6 168,6 157,1
E41 175,6 169,9 174,7 225,0 197,2
E42 182,5 177,6 174,3 220,6 190,6
E43 188,7 178,0 188,0 205,4 188,4
E44 170,0 167,8 180,8 178,9 167,9
E45 218,6 163,5 194,6 219,2 212,2
E46 185,3 178,0 187,9 182,2 179,7
E47 177,5 192,4 187,6 189,8 193,3
E48 182,0 182,8 187,7 203,1 187,5
E49 171,2 179,2 180,5 177,0 175,1
E50 226,3 179,6 214,9 210,0 211,6
E51 180,3 180,6 187,9 193,4 185,1
E52 182,3 176,4 186,0 196,9 188,7
E53 189,6 174,4 190,0 189,5 185,2
E54 173,6 177,1 183,4 181,7 179,0
E55 175,1 184,8 188,9 188,9 181,6
E56 213,3 163,2 186,4 185,1 184,4
E57 214,6 165,5 195,5 185,2 181,7
E58 206,1 177,5 202,4 185,5 181,9
E59 189,0 166,4 184,5 207,3 199,1
E60 202,4 173,8 193,0 191,2 203,9
S01 175,7 134,1 138,7 171,7 153,4
S02 173,1 175,1 173,4 163,8 166,1
S03 172,4 185,9 181,0 181,0 165,9
S04 175,0 172,1 180,1 193,4 174,0
S05 169,5 172,1 178,0 201,9 182,9
S06 183,4 166,3 166,8 187,6 173,7
S07 181,6 175,8 179,8 221,6 192,5
S08 188,3 174,8 181,3 186,8 171,0
S09 185,8 174,5 178,0 200,0 180,5
S10 230,6 158,1 185,5 190,9 181,7
S11 204,8 166,8 185,4 246,3 224,4
S12 217,5 160,1 185,0 248,1 232,2
S13 246,6 160,2 206,6 220,1 226,7
S14 229,1 162,5 216,5 207,5 226,6
S15 221,2 166,1 193,1 221,4 214,3
S16 204,5 164,6 174,6 251,2 220,2
S17 172,9 174,9 188,9 180,9 175,9
S18 161,0 175,0 184,8 184,7 169,5
S19 160,6 190,0 180,2 177,8 168,6
S20 164,6 188,5 204,3 185,0 174,5
S21 176,3 172,5 175,6 184,6 169,6
S22 171,9 172,0 181,6 207,3 189,6
S23 163,0 198,4 190,3 177,0 175,3
S24 176,2 182,3 174,3 149,5 176,7
S25 158,6 166,9 182,0 172,5 165,9
S26 151,9 189,4 150,4 132,3 156,8
S27 156,6 176,1 161,4 134,1 163,2
S28 153,4 198,1 151,9 145,8 163,0
S29 157,9 196,6 175,9 158,5 168,0
S30 161,3 171,6 141,7 168,3 156,6
S31 161,3 171,6 141,7 168,3 156,6
S32 187,8 168,6 159,2 201,4 192,2
S33 188,1 169,2 173,8 170,2 169,9
S34 165,3 175,0 185,7 212,6 178,7
S35 197,1 166,5 178,3 213,6 190,5
S36 152,9 197,1 177,2 180,6 180,6
S37 176,6 171,9 175,2 172,4 191,6
S38 163,8 194,2 193,0 186,2 185,7
S39 162,9 194,7 177,3 167,7 171,1
S40 172,1 180,1 184,9 202,0 196,2
S41 183,2 165,0 180,4 171,2 182,9
S42 164,1 163,9 174,8 178,0 163,3
S43 159,7 182,6 185,3 185,3 179,0
S44 193,3 169,0 157,4 236,6 205,3
S45 154,0 170,9 157,0 164,1 150,8
S46 164,0 169,1 172,0 178,2 165,9
S47 175,1 167,8 176,9 189,3 174,3
S48 163,3 190,7 180,2 175,6 167,7
S49 165,1 177,3 174,0 169,6 170,2
S50 186,6 165,1 182,2 219,1 194,1
S51 166,3 164,1 183,0 193,2 175,3
S52 190,5 178,7 183,2 199,5 182,8
S53 160,4 160,8 140,4 169,0 162,5
S54 163,9 158,7 146,5 131,6 162,4
S55 161,5 173,4 152,6 151,1 166,6
V01 172,7 184,1 188,1 188,3 179,8
V02 165,1 189,9 194,8 174,8 169,9
V03 171,1 172,0 141,5 113,8 147,0
V04 214,6 169,8 202,8 186,6 198,0
V05 171,3 186,0 189,1 175,6 174,3
V06 184,3 185,8 192,7 182,4 182,8
V07 175,5 181,8 199,8 176,3 171,5
V08 172,2 173,7 178,6 153,7 165,5
V09 180,2 171,6 173,3 188,7 175,7
V10 183,7 172,2 181,3 203,1 179,1
V11 168,5 178,9 178,8 164,7 154,9
V12 175,5 178,0 192,4 194,5 182,0
V13 183,1 177,1 189,3 174,5 171,4
V14 167,6 186,6 198,5 176,5 173,2
V15 173,4 178,1 190,9 190,7 179,2
V16 164,1 180,3 189,5 187,5 169,6
V17 177,3 185,1 187,3 171,8 174,6
V18 182,6 181,5 188,0 190,8 187,2
V19 179,1 168,9 180,2 180,0 170,2
V20 191,0 175,2 191,8 186,0 204,4
V21 194,9 163,7 178,2 171,3 175,1
V22 185,3 174,2 180,9 179,1 176,9
V23 165,3 178,9 181,5 192,3 168,7
V24 232,5 162,0 195,8 214,8 219,7
V25 192,8 163,2 184,1 194,0 180,9
V26 184,6 173,0 172,6 178,4 173,7
V27 196,9 172,5 186,6 189,5 182,4
V28 167,7 184,6 180,2 176,9 170,5
V29 189,0 177,9 187,6 185,4 178,3
V30 181,9 182,8 184,8 194,8 178,9

180,92 176,14 181,79 184,54 181,48

faac Nero LAME MPC Vorbis


Graphicaly and sorted by size:



A zoomed version here

Nero AAC doesn't bloat the bitrate (< 200 kbps for all samples), whereas all other contenders are using more than 220 kbps for what they consider as the "less compressible" (maybe a better word for "most complex") tracks. Musepack is the only encoder which use less than 130 kbps for several samples. Sign of efficiency or flaw in the VBR model?
Vorbis is also the one which allocates more than 280 kbps for one sample (including a lot of impulse/attacks). All others stay at 250 kbps or less.


_____________________

I also correct a small mistake in my first post (the table of results need to be updated as well): I didn't use Nero Digital aacenc32.dll version 3.0.0.15 but version 3.2.0.15.

I also downloaded the latest Nero package, which include the latest public aacenc32.dll version: 3.2.0.20. I made a bit-to-bit comparison between the encodings I used for my test and the encodings produced by the latest encoder: both are identical. dry.gif
I tried with older version of aacenc32.dll: identical - identical - identical... huh.gif
In short, -streaming 'high' encodings are bit-to-bit identical from aacenc32.dll version 2.9.9.999 (dated from 2004.12.22) to 3.2.0.20! The difference start to appear with 2.9.9.998 dated from 2004.11.27. In other words, no progress in this area since eight months. What happened with Nero Digital team? Have Ivan only worked on SBR and low bitrate stuff during this time?

examples:
files are not available anymore for download
Here is the bitrate table (based on 150 full tracks):


CODE

FILE faac Nero LAME MPC Vorbis

A01 175,0 199,2 194,7 164,1 201,7
A02 241,6 156,8 210,8 192,2 206,2
A03 230,6 165,7 230,3 205,1 293,1
A04 203,5 176,1 217,8 188,2 207,3
A05 183,3 161,9 175,8 177,9 182,6
E01 151,3 183,6 135,2 121,8 154,7
E02 179,1 185,6 182,0 186,7 178,8
E03 190,9 179,4 187,0 188,8 184,3
E04 172,9 179,8 178,0 167,6 174,8
E05 215,8 159,5 188,6 167,2 194,4
E06 173,6 186,9 188,9 187,2 179,0
E07 163,6 189,9 180,8 178,2 168,7
E08 182,4 147,8 191,5 168,0 199,4
E09 176,3 187,2 181,4 188,3 178,0
E10 176,4 170,1 167,9 173,3 166,7
E11 211,3 175,8 201,6 188,3 188,3
E12 163,4 184,1 169,5 157,9 167,3
E13 169,6 176,8 172,6 193,3 184,5
E14 163,6 190,7 184,9 185,2 176,5
E15 159,9 198,5 180,5 190,8 176,5
E16 188,0 181,6 194,0 199,7 202,3
E17 188,2 180,7 196,2 178,2 185,7
E18 169,5 197,0 174,3 157,4 177,6
E19 167,9 180,4 167,0 155,2 168,3
E20 166,0 180,2 179,4 157,3 161,8
E21 166,8 185,7 181,3 162,6 170,4
E22 176,5 182,8 187,9 187,6 177,1
E23 158,5 181,8 182,4 172,8 163,0
E24 161,9 189,5 175,9 169,1 163,3
E25 191,3 178,6 194,4 188,6 182,6
E26 176,3 178,0 184,5 174,6 171,3
E27 178,8 175,5 184,9 180,8 168,4
E28 178,8 183,0 191,4 159,6 183,8
E29 189,4 166,1 177,0 166,9 170,9
E30 183,7 184,2 196,9 175,9 174,9
E31 222,0 154,1 192,0 201,4 199,6
E32 190,2 180,9 186,9 204,7 196,8
E33 187,2 162,5 177,1 185,7 183,2
E34 160,6 181,1 174,6 168,8 167,5
E35 186,6 169,0 181,3 220,9 206,2
E36 208,6 173,5 187,3 216,3 216,5
E37 172,0 183,7 175,6 193,7 180,3
E38 174,3 183,6 182,5 187,1 177,2
E39 174,3 184,2 184,0 186,3 188,3
E40 163,7 181,9 170,6 168,6 157,1
E41 175,6 169,9 174,7 225,0 197,2
E42 182,5 177,6 174,3 220,6 190,6
E43 188,7 178,0 188,0 205,4 188,4
E44 170,0 167,8 180,8 178,9 167,9
E45 218,6 163,5 194,6 219,2 212,2
E46 185,3 178,0 187,9 182,2 179,7
E47 177,5 192,4 187,6 189,8 193,3
E48 182,0 182,8 187,7 203,1 187,5
E49 171,2 179,2 180,5 177,0 175,1
E50 226,3 179,6 214,9 210,0 211,6
E51 180,3 180,6 187,9 193,4 185,1
E52 182,3 176,4 186,0 196,9 188,7
E53 189,6 174,4 190,0 189,5 185,2
E54 173,6 177,1 183,4 181,7 179,0
E55 175,1 184,8 188,9 188,9 181,6
E56 213,3 163,2 186,4 185,1 184,4
E57 214,6 165,5 195,5 185,2 181,7
E58 206,1 177,5 202,4 185,5 181,9
E59 189,0 166,4 184,5 207,3 199,1
E60 202,4 173,8 193,0 191,2 203,9
S01 175,7 134,1 138,7 171,7 153,4
S02 173,1 175,1 173,4 163,8 166,1
S03 172,4 185,9 181,0 181,0 165,9
S04 175,0 172,1 180,1 193,4 174,0
S05 169,5 172,1 178,0 201,9 182,9
S06 183,4 166,3 166,8 187,6 173,7
S07 181,6 175,8 179,8 221,6 192,5
S08 188,3 174,8 181,3 186,8 171,0
S09 185,8 174,5 178,0 200,0 180,5
S10 230,6 158,1 185,5 190,9 181,7
S11 204,8 166,8 185,4 246,3 224,4
S12 217,5 160,1 185,0 248,1 232,2
S13 246,6 160,2 206,6 220,1 226,7
S14 229,1 162,5 216,5 207,5 226,6
S15 221,2 166,1 193,1 221,4 214,3
S16 204,5 164,6 174,6 251,2 220,2
S17 172,9 174,9 188,9 180,9 175,9
S18 161,0 175,0 184,8 184,7 169,5
S19 160,6 190,0 180,2 177,8 168,6
S20 164,6 188,5 204,3 185,0 174,5
S21 176,3 172,5 175,6 184,6 169,6
S22 171,9 172,0 181,6 207,3 189,6
S23 163,0 198,4 190,3 177,0 175,3
S24 176,2 182,3 174,3 149,5 176,7
S25 158,6 166,9 182,0 172,5 165,9
S26 151,9 189,4 150,4 132,3 156,8
S27 156,6 176,1 161,4 134,1 163,2
S28 153,4 198,1 151,9 145,8 163,0
S29 157,9 196,6 175,9 158,5 168,0
S30 161,3 171,6 141,7 168,3 156,6
S31 161,3 171,6 141,7 168,3 156,6
S32 187,8 168,6 159,2 201,4 192,2
S33 188,1 169,2 173,8 170,2 169,9
S34 165,3 175,0 185,7 212,6 178,7
S35 197,1 166,5 178,3 213,6 190,5
S36 152,9 197,1 177,2 180,6 180,6
S37 176,6 171,9 175,2 172,4 191,6
S38 163,8 194,2 193,0 186,2 185,7
S39 162,9 194,7 177,3 167,7 171,1
S40 172,1 180,1 184,9 202,0 196,2
S41 183,2 165,0 180,4 171,2 182,9
S42 164,1 163,9 174,8 178,0 163,3
S43 159,7 182,6 185,3 185,3 179,0
S44 193,3 169,0 157,4 236,6 205,3
S45 154,0 170,9 157,0 164,1 150,8
S46 164,0 169,1 172,0 178,2 165,9
S47 175,1 167,8 176,9 189,3 174,3
S48 163,3 190,7 180,2 175,6 167,7
S49 165,1 177,3 174,0 169,6 170,2
S50 186,6 165,1 182,2 219,1 194,1
S51 166,3 164,1 183,0 193,2 175,3
S52 190,5 178,7 183,2 199,5 182,8
S53 160,4 160,8 140,4 169,0 162,5
S54 163,9 158,7 146,5 131,6 162,4
S55 161,5 173,4 152,6 151,1 166,6
V01 172,7 184,1 188,1 188,3 179,8
V02 165,1 189,9 194,8 174,8 169,9
V03 171,1 172,0 141,5 113,8 147,0
V04 214,6 169,8 202,8 186,6 198,0
V05 171,3 186,0 189,1 175,6 174,3
V06 184,3 185,8 192,7 182,4 182,8
V07 175,5 181,8 199,8 176,3 171,5
V08 172,2 173,7 178,6 153,7 165,5
V09 180,2 171,6 173,3 188,7 175,7
V10 183,7 172,2 181,3 203,1 179,1
V11 168,5 178,9 178,8 164,7 154,9
V12 175,5 178,0 192,4 194,5 182,0
V13 183,1 177,1 189,3 174,5 171,4
V14 167,6 186,6 198,5 176,5 173,2
V15 173,4 178,1 190,9 190,7 179,2
V16 164,1 180,3 189,5 187,5 169,6
V17 177,3 185,1 187,3 171,8 174,6
V18 182,6 181,5 188,0 190,8 187,2
V19 179,1 168,9 180,2 180,0 170,2
V20 191,0 175,2 191,8 186,0 204,4
V21 194,9 163,7 178,2 171,3 175,1
V22 185,3 174,2 180,9 179,1 176,9
V23 165,3 178,9 181,5 192,3 168,7
V24 232,5 162,0 195,8 214,8 219,7
V25 192,8 163,2 184,1 194,0 180,9
V26 184,6 173,0 172,6 178,4 173,7
V27 196,9 172,5 186,6 189,5 182,4
V28 167,7 184,6 180,2 176,9 170,5
V29 189,0 177,9 187,6 185,4 178,3
V30 181,9 182,8 184,8 194,8 178,9

180,92 176,14 181,79 184,54 181,48

faac Nero LAME MPC Vorbis


Graphicaly and sorted by size:



A zoomed version here

Nero AAC doesn't bloat the bitrate (< 200 kbps for all samples), whereas all other contenders are using more than 220 kbps for what they consider as the "less compressible" (maybe a better word for "most complex") tracks. Musepack is the only encoder which use less than 130 kbps for several samples. Sign of efficiency or flaw in the VBR model?
Vorbis is also the one which allocates more than 280 kbps for one sample (including a lot of impulse/attacks). All others stay at 250 kbps or less.


_____________________

I also correct a small mistake in my first post (the table of results need to be updated as well): I didn't use Nero Digital aacenc32.dll version 3.0.0.15 but version 3.2.0.15.

I also downloaded the latest Nero package, which include the latest public aacenc32.dll version: 3.2.0.20. I made a bit-to-bit comparison between the encodings I used for my test and the encodings produced by the latest encoder: both are identical. dry.gif
I tried with older version of aacenc32.dll: identical - identical - identical... huh.gif
In short, -streaming 'high' encodings are bit-to-bit identical from aacenc32.dll version 2.9.9.999 (dated from 2004.12.22) to 3.2.0.20! The difference start to appear with 2.9.9.998 dated from 2004.11.27. In other words, no progress in this area since eight months. What happened with Nero Digital team? Have Ivan only worked on SBR and low bitrate stuff during this time?

examples:
files are not available anymore for download

This post has been edited by guruboolez: Dec 29 2005, 22:49
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Posts in this topic
- guruboolez   MPC vs VORBIS vs MP3 vs AAC at 180 kbps   Aug 21 2005, 19:33
- - guruboolez   V. Results and detailed comments Sample 01:...   Aug 21 2005, 19:34
- - guruboolez   Sample 12: Liebestod Short description: Soprano vo...   Aug 21 2005, 19:35
- - guruboolez   VI. Statistical analysis and conclusions It m...   Aug 21 2005, 19:51
|- - Lyx   QUOTE (guruboolez @ Aug 21 2005, 08:51 PM)Vor...   Aug 21 2005, 23:03
- - JeanLuc   Jesus Christ ... now that's one hell of a list...   Aug 21 2005, 19:53
- - guruboolez   Thanks:) Few words to say that I had to split the...   Aug 21 2005, 19:55
- - SirGrey   Wow ! Great work. Very interesting... Especial...   Aug 21 2005, 20:13
- - skelly831   AMAZING Guru! This is the kind of test that m...   Aug 21 2005, 20:25
- - HbG   You're invaluable to this community! And,...   Aug 21 2005, 20:40
- - rjamorim   Awesome! Thank-you very much, Bin Boolez*...   Aug 21 2005, 21:10
- - bug80   I bow, guruboolez. Great test! Now if only m...   Aug 21 2005, 21:19
|- - Yaztromo   Thanks Guru. It's more than obvious you've...   Aug 21 2005, 21:31
- - ff123   Guru, I'm always amazed to read the professio...   Aug 21 2005, 21:37
- - Cyaneyes   Guru.. you've made me very happy I purchased a...   Aug 21 2005, 21:45
- - Lyx   Amazing. When you think he cannot get any better, ...   Aug 21 2005, 21:58
- - CiTay   Well done, guruboolez!   Aug 21 2005, 22:39
- - Busemann   QUOTE • Apple AAC: There's still no VBR mode w...   Aug 21 2005, 22:48
|- - guruboolez   Thanks to you for all support QUOTE (Busemann ...   Aug 22 2005, 02:45
|- - rjamorim   QUOTE (guruboolez @ Aug 21 2005, 10:45 PM)Is ...   Aug 22 2005, 02:59
|- - guruboolez   QUOTE (rjamorim @ Aug 22 2005, 02:59 AM)QUOTE...   Aug 22 2005, 03:09
|- - rjamorim   QUOTE (guruboolez @ Aug 21 2005, 11:09 PM)I...   Aug 22 2005, 03:42
- - NumLOCK   Great work Guruboolez ! It is normal though -...   Aug 21 2005, 23:19
- - vinnie97   holy eff, excellent test, Guru! *not worthy* ...   Aug 21 2005, 23:28
- - kwanbis   excellent guruboolez   Aug 21 2005, 23:47
- - HotshotGG   QUOTE What is the cause of vorbis' noise issue...   Aug 22 2005, 00:09
- - vlada   Great test, thank you. I'm just wondering, how...   Aug 22 2005, 00:19
- - bond   great test! and great work from aoyumi!   Aug 22 2005, 01:34
- - kl33per   Awesome work guru. I don't recall the test one...   Aug 22 2005, 02:08
- - LoFiYo   Great work Mr Guru. Your occasional listening test...   Aug 22 2005, 02:10
- - PabUK   Excellent test, as always. Thanks.   Aug 22 2005, 11:48
- - Sunhillow   Wow! A great test, Guru!   Aug 22 2005, 12:33
- - user   Chapeau Guruboolez ! Congratulations to the p...   Aug 22 2005, 13:02
- - Aoyumi   Thank you for a test and a detailed report, gurubo...   Aug 22 2005, 13:09
|- - arman68   Very good and comprehensive test. Thank you. It c...   Aug 22 2005, 13:25
- - echo   Once again I am impressed by your professional lis...   Aug 22 2005, 13:22
- - Zurman   Impressive ! And quite surprising (vorbis...   Aug 22 2005, 15:20
- - Ivan Dimkovic   Hi, First of all, thanks Guru for your very hard ...   Aug 22 2005, 16:18
|- - Corsair   QUOTE (Ivan Dimkovic @ Aug 22 2005, 04:18 PM)...   Aug 22 2005, 17:16
- - Mr_Rabid_Teddybear   I'm now really happy I recently purchased this...   Aug 22 2005, 16:33
- - HotshotGG   QUOTE Probably, change of ATH, noise/tone masking,...   Aug 22 2005, 17:37
|- - Aoyumi   QUOTE (HotshotGG @ Aug 23 2005, 01:37 AM)QUOT...   Aug 23 2005, 14:43
- - Ivan Dimkovic   QUOTE (Corsair @ Aug 22 2005, 04:16 PM)QUOTE ...   Aug 22 2005, 17:49
- - Digisurfer   Time to play devils advocate. What is the point of...   Aug 22 2005, 21:26
|- - sh1leshk4   QUOTE (Digisurfer @ Aug 23 2005, 03:26 AM)Wha...   Aug 22 2005, 22:05
|- - Lyx   QUOTE (Digisurfer @ Aug 22 2005, 10:26 PM)The...   Aug 22 2005, 22:06
|- - guruboolez   QUOTE (Digisurfer @ Aug 22 2005, 09:26 PM)Tim...   Aug 22 2005, 22:13
|- - rjamorim   QUOTE (Digisurfer @ Aug 22 2005, 05:26 PM)I c...   Aug 22 2005, 22:14
|- - Digisurfer   QUOTE (rjamorim @ Aug 22 2005, 03:14 PM)QUOTE...   Aug 22 2005, 23:20
|- - guruboolez   QUOTE (Digisurfer @ Aug 22 2005, 11:20 PM)Spe...   Aug 22 2005, 23:52
- - germanjulian   thank you for this great test.   Aug 22 2005, 21:35
- - guruboolez   QUOTE (user @ Aug 22 2005, 01:02 PM)Regarding...   Aug 22 2005, 22:02
|- - user   QUOTE (guruboolez @ Aug 22 2005, 10:02 PM)QUO...   Aug 23 2005, 12:04
|- - rjamorim   QUOTE (user @ Aug 23 2005, 08:04 AM)If a (the...   Aug 23 2005, 14:43
||- - guruboolez   QUOTE (rjamorim @ Aug 23 2005, 02:43 PM)QUOTE...   Aug 23 2005, 14:59
||- - rjamorim   QUOTE (guruboolez @ Aug 23 2005, 10:59 AM)Tru...   Aug 23 2005, 15:52
|- - guruboolez   QUOTE (user @ Aug 23 2005, 12:04 PM)The bitra...   Aug 23 2005, 14:49
- - Axon   While I don't doubt that this is a very signif...   Aug 22 2005, 22:08
|- - ching-3   Great work guru, a very good test. I always beli...   Aug 22 2005, 22:13
- - Lyx   I think the flaw in your logic is that you see thi...   Aug 22 2005, 23:33
- - QuantumKnot   It is always very enjoyable and informative to rea...   Aug 23 2005, 00:27
|- - Mo0zOoH   I feel great urge to thank Guruboolez and Aoyumi f...   Sep 2 2005, 00:58
- - vinnie97   I have to agree with Guru. Either these artifacts...   Aug 23 2005, 01:28
- - boiling_ice2k4   nice listening test guruboolez great to see the ...   Aug 23 2005, 03:19
- - HotshotGG   QUOTE What can I say? I am extremely happy with Og...   Aug 23 2005, 05:25
- - DARcode   Awesome piece of work and information, simply awes...   Aug 30 2005, 15:27
- - guruboolez   Here is the bitrate table (based on 150 full track...   Aug 31 2005, 11:19
- - esa372   Wow! Thank you, guruboolez!   Aug 31 2005, 15:26
- - Pio2001   Thank you for the test. I hope it will encourage o...   Sep 1 2005, 22:34
|- - bug80   QUOTE (Pio2001 @ Sep 1 2005, 11:34 PM)And I t...   Sep 1 2005, 22:50
|- - ff123   QUOTE (bug80 @ Sep 1 2005, 01:50 PM)QUOTE (Pi...   Sep 2 2005, 21:37
- - alter4   And in my opinion, the handling pre-echo mechanism...   Sep 2 2005, 06:14
|- - Yaztromo   QUOTE (alter4 @ Sep 2 2005, 06:14 AM)And in m...   Sep 2 2005, 10:34
- - Aoyumi   QUOTE And in my opinion, the handling pre-echo mec...   Sep 3 2005, 04:22
- - alter4   I tested castanets2 with beta4 Now I have no ABX l...   Sep 5 2005, 08:17
|- - Yaztromo   I will test with beta4 in the next couple of days.   Sep 5 2005, 10:02
- - alter4   the first click in castanets2, no comment!   Sep 8 2005, 09:52
|- - Aoyumi   QUOTE (alter4 @ Sep 8 2005, 05:52 PM)the firs...   Sep 8 2005, 14:04
- - alter4   My friends (I ask theirs to help) say that in cast...   Sep 8 2005, 15:23
- - Aoyumi   >alter4 Can the portion which you ABX(ed) be sh...   Sep 11 2005, 07:45
- - liekloo   I know I'm late. Very late even. But I don...   Sep 15 2005, 22:35
|- - zima   Very impressive...I wish I had sometimes this kind...   Sep 16 2005, 19:35
|- - beto   QUOTE (liekloo @ Sep 15 2005, 06:35 PM)I know...   Sep 16 2005, 21:02
- - Seymour   Guruboolez Great test! Thanks. Surely I'l...   Sep 17 2005, 14:39
- - VEG   Wow! Vorbis bested that MPC on 180kbps?! I...   Sep 22 2005, 21:09
|- - kornchild2002   Thanks for the testing. I can't help but thin...   Sep 22 2005, 22:40
|- - stephanV   QUOTE (kornchild2002 @ Sep 22 2005, 11:40 PM)...   Sep 23 2005, 08:42
- - Donunus   I was just wondering if upping lame 3.97 to preset...   Sep 23 2005, 11:37
- - beto   probably yes. but that's an assumption.   Sep 23 2005, 12:23
- - SCIF   Does anybody with good headphones want to abx-test...   Oct 28 2005, 05:47
|- - de Mon   QUOTE (SCIF @ Oct 27 2005, 08:47 PM)Does anyb...   Oct 28 2005, 08:18
|- - SCIF   QUOTE (de Mon @ Oct 28 2005, 05:18 PM)I bet G...   Nov 2 2005, 06:31
- - kuniklo   I just came across this thread today. Thanks to G...   Oct 31 2005, 22:39
- - lextune   Thanks for this interesting and informative post. ...   Jan 6 2006, 21:37
- - Garf   Re-opening so discussion can continue.   Jan 9 2006, 12:13
- - vinnie97   I saw this thread was locked yesterday with no exp...   Jan 9 2006, 23:38
|- - kode54   QUOTE (vinnie97 @ Jan 9 2006, 02:38 PM)I saw ...   Jan 9 2006, 23:49
- - vinnie97   No need to be testy. I didn't see that *other...   Jan 10 2006, 00:30


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