Personally, I have one of the X-Fi series cards, and I really miss the crystalizer, whatever the hell it does... I never looked much into it, but in my opinion, thinking back, it's definitely an improvement to the sound. After being used to it, and then listening to other sound cards, they all just sound "flat". Imagine the difference between an audio file left "flat" with no adjustments or EQ. Now imagine that same file, with say... the mids dipped and the highs and lows boosted. "Scooping the mid's" is what most guitar players call it. Now the difference between those two, would be what listening to a normal sound card vs. a Creative card with the crystalizer enabled. It may be some form of simple equalizer for all I know... but I don't see how the few of you said it makes it sound like crap... I can't understand that, unless you like totally flat music. I suppose some elitists might insist on hearing the music "purely" without adulteration, but to me it sounds like I'm listening to the music through a wall. Maybe I've spoiled myself with applying audio altering processing over the years, but oh well. I recommend the hell out of the crystalizer technology. Just my opinion, of course... as always. No need for a flame out.
(BTW, the X-Fi was also so much better for recording guitar going through a DSP effects board, into the sound card). The Realtek software (IMO) is junk and confusing. I've got Rear Audio Out, Digital Audio Out, Digital Audio Out (Optical), SPDIF Output... then on inputs I have Microphone, Digital Input, Line-In Input, Stereo Mix-- I'm pretty positive I know what they all do, that's not the problem (though I should rename them for quicker visual clarity)-- when I go into the inputs I can have the inputs "Listen" to one of the outputs... which seems like "OK, gotcha"... but then it doesn't seem to work that way. It would seem like I'm basically creating an audio loopback. Creative cards already did that without me having to deal with all this BS and they called it... "What You Hear" (you all knew that, haha)... anyway... the Realtek just overcomplicates simple concepts to make them SEEM like complex ones.
All I know is that even with DSP's and messing with EQ's and all this and that, I still cannot get a sound card to sound the same (as good).
I don't know if this sound card is crap, I imagine so, it's a Realtek HD using the ALC889 audio codec... it's 9.1 channels... that is, it does 7.1 surround, plus it can simultaneously play a separate 2 channel stereo signal out of the headphone jack, bringing it to 9.1 if you care to. It has Dolby 5.1 Surround and this and that. I run a 5.1 speaker setup. To me, it sounds pretty horrible... it takes a lot of EQ tuning, etc to make it sound even acceptable. It is maybe 2-3 years old (the chipset, I'm guessing) -- the Soundblaster X-Fi card is like old as dirt... I think it's called an Soundblaster X-Fi Music. It was limited and I have no idea what it did over any of the other X-Fi series of the same class/level. So my question is, why does that ancient card instantly sound so much better than this much newer chipset right off the bat, with no screwing around with DSPs and using tons of EQ, etc? Is it that much of a sound card quality difference, despite the age, or is there some other factor?
The major difference to me seems to be when I cut on and use the crystalizer vs. not... (though the CSB still sounds better, default settings). I've never gotten this. Can anyone enlighten me? The only thing I suspect is that Realtek is cheap garbage sound hardware, and that's what kind of audio I must expect out of such a thing...?
These are the specs, I threw them in a CODEBOX so it wouldn't take the entire page. Hope that is sufficient (trying to be courteous).
Hardware Features
High performance DACs with 108dB signal-to-noise ratio (A-weighting)
High performance ADCs with 104dB signal-to-noise ratio (A-weighting).
Meets Microsoft WLP3.10 and future WLP audio requirements
Ten DAC channels support 16/20/24-bit PCM format for 7.1 sound playback, plus 2 channels of concurrent independent stereo sound output (multiple streaming) through the front panel output
Three stereo ADCs support 16/20/24-bit PCM format, multiple stereo recording
All DACs supports 44.1k/48k/88.2k/96k/176.4k/192kHz sample rate
All ADCs supports 44.1k/48k/88.2k/96k/176.4k/192kHz sample rate
Primary 16/20/24-bit SPDIF-OUT supports 32k/44.1k/48k/88.2k/96k/192kHz sample rate
Secondary 16/20/24-bit SPDIF-OUT supports 32k/44.1k/48k/88.2k/96k/192kHz sample rate
16/20/24-bit SPDIF-IN supports 32k/44.1k/48k/96k/192kHz sample rate
All analog jacks (port-A to port-G) are stereo input and output re-tasking
Port-A/B/C/D/E/F built in headphone amplifiers
Port-B/C/E/F with software selectable boost gain (+10/+20/+30dB) for analog microphone input
High-quality analog differential CD input
Supports external PCBEEP input and built-in digital BEEP generator
Software selectable 2.5V/3.2V/4.0V VREFOUT
Up to four channels of microphone array input are supported for AEC/BF applications
Two jack detection pins each designed to detect up to 4 jacks
Supports analog GPIO2 to be jack detection for CD input which is used as 9th analog port
Supports legacy analog mixer architecture
Up to 3 GPIOs (General Purpose Input and Output) for customized applications. GPIO0 and GPIO1 share pin with DMIC-CLK and DMIC-DATA.
Supports mono and stereo digital microphone interface (pins shared with GPIO0 and GPIO1)
Supports anti-pop mode when analog power AVDD is on and digital power is off.
Content Protection for Full Rate loss-less DVD Audio, Blue-Ray DVD and HD-DVD audio content playback (with selected versions of WinDVD/PowerDVD)
Hardware Zero-Detect output volume control
1dB per step output volume and input volume control
Supports 3.3V digital core power, 1.5V or 3.3V digital I/O power for HD Audio link, and 5.0V analog power
48-pin LQFP ‘Green’ package
Software Features
Compatible with Windows Vista Premium (complies with Microsoft WLP requirements)
WaveRT-based audio function driver for Windows Vista
EAX™ 1.0 & 2.0 compatible
Direct Sound 3D™ compatible
A3D™ compatible
I3DL2 compatible
HRTF 3D Positional Audio (Windows XP only)
7.1+2 channel multi-streaming enables concurrent gaming/VoIP
Emulation of 26 sound environments to enhance gaming experience
Multi bands of software equalizer and tool are provided
Voice Cancellation and Key Shifting effect
Dynamic range control (expander, compressor and limiter) with adjustable parameters
Intuitive Configuration Panel (Realtek Audio Manager) to enhance user experience
Provides 10-foot GUI for Windows Media Center
Microphone Acoustic Echo Cancellation (AEC), Noise Suppression (NS), and Beam Forming (BF) technology for voice application
Smart multiple streaming operation
HDMI audio driver for AMD platform
Dolby® PCEE program™ (optional software feature)
DTS® CONNECT™ (optional software feature)
SRS® TrueSurround HD (optional software feature)
Fortemedia® SAM™ technology for voice processing (Beam Forming and Acoustic Echo Cancellation) (optional software feature)
Creative® Host Audio program (optional software feature)
Voice recognition and Realtek proprietary API (SkyTel) is supported (Optional software feature)